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Clark's Publishing Agreements, 8th edition - £120
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Clark's Publishing Agreements, 8th edition - £120 <br>plus VAT at 10%
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9781847665447 - £132.00
Clark's Publishing Agreements, 8th edition

Lynette Owen

"...there is a feeling of having been well briefed by the expert team involved...No publisher should be without one"  Learned Publishing, April 2011

"...a remarkable, invaluable work, and an essential reference for all publishers..."  BookBrunch, 2011

"This book should be on every publisher's shelf"  The Bookseller, 2007

"The book's great strengths are its notes and commentary"  Journal of Intellectual Property Law & Practice, 2007

"Such is the range of topics covered in this book that there can be few individuals, even among the small community of specialists working in this field, who could confidently assert that they would find no need to consult it on any of the many facets of the contractual aspects of publishing presented here."  Entertainment Law Review, Volume 22, issue 6

"Unchallenged in its field."  Entertainment Law Review, Volume 22, issue 6

This comprehensive book provides model agreements, covering a variety of publishing circumstances including head contracts to a range of licensing scenarios. From general author agreements, via merchandising rights to online licensing, you'll find it all in the new edition of Clark's. Together with detailed explanatory notes, a series of appendices on related topics and a CD-ROM of all precedents, this text will prove invaluable when it comes to drafting effective publishing agreements.



The new 8th edition has been fully revised and updated to include:

  • Coverage of copyright legislation and developments in the digital age relating to copyright protection and licensing
  • Coverage of the Digital Economy Bill
  • A new society journal precedent and coverage of e-book issues
  • A generic precedent for a library aggregator
  • New Appendix on the visually impaired
  • Accompanying CD-ROM containing all the precedents
  • Completely revised and updated Appendices

    Bibliographic detail

    ISBN: 978 1 84766 544 7
    Publication Date: Nov-10
    Format: Hardback and CD-ROM
    Availability: In Print
    List price: £120 + 10% VAT

    Contents

    1 General Book: Author - Publisher Agreement; 2 Educational, Academic, Scientific and Professional Book: Author - Publisher Agreement; 3 Agreements for General Editor of a Book; 4 Agreement for Contributor to a Book; 5 Book Series Editor - Publisher Agreement; 6 Academic Journal: Editor’s Agreement; 7 Society-Owned Journal Publishing Agreement; 8 Journal Contributor Agreements; 9 Agreements for Serial Rights; 10 Translator’s Agreement; 11 Agreement for Sale of Translation Rights. Appendix: Transitional and Post Transitional Markets; 12 Same-Language Low Price Reprint Agreement; 13 Illustration and Artwork Agreement; 14 Packaging Rights Agreement; 15 International Co-edition Agreement; 16 Film, Television and Allied Rights: Option and Assignment Agreements; 17 Merchandising Rights Agreement. Introduction to Electronic Precedents; 18 Licence to Digital Medial Producer to Utilise Existing Print Material in Carrier Form; 19 Licence to Institution to Make Existing Print Material Available by Local Networks to End Users within its Own Site; 20 Licence to Institutions to use Material Supplied in Electronic Form; 21 Online Access to Database Agreement; 22 EBook Distribution Agreement; 23 Website Content Distribution Agreement;

    Appendix A The US Market; Appendix B Paperback Rights; Appendix C Book Club Rights; Appendix D Licensing Permission Rights; Appendix E Collective Licensing of Reprographic Rights; Appendix F People with Print Disabilities; Appendix G Reversionary Provisions of the Copyr

    Twenty-five years ago, an older and wiser independent publisher sagely observed, when I asked for advice about contracts, that when authors (or other publishers) referred back to contracts, the relationship had gone wrong. Hence their importance – and equally, their unimportance – in the publishing relationship. Of course, this is as true now as it was then, but almost everything else has changed.

    It would be nice to look back on that time as a charming idyll in which gentleperson amateur publishers lunched authors – and even agents, or booksellers – and books somehow got written, published and successfully sold without much reference to strict terms of business or contractual minutiae. But while it is true that one publisher could then airily declare that his company “didn’t really bother about royalties – they always led to too much ill feeling” and another refuse to pay one of his authors more frequently than every two years, the words biannual and biennial having become confused in the contract, it is far from true that publishing was even then a relaxed and easy-going business. Contracts, shorter and much less complex, reflected the business practice of the day – a straightforward transaction with the author about physical objects in a terra cognita of what we now call bricks and mortar bookselling, libraries just beginning to feel what then seemed like the pinch, the territorial rights that stayed territorial. Standards contracts, with their few variants, represented fairness and a straightforward reflection of a relatively easily understood business.

    In 2011 the biggest problem with contracts is that we have trouble understanding the publishing business as it now is. And if we think we understand it today, we can be pretty sure that it will look different in six months’ time. How are we to spot the opportunities and agree equitable terms with our authors (who increasingly don’t really know what publishers do) and fellow publishers, and enshrine these in contracts? Oddly, the underlying relationship of trust, as least so far as a small publisher goes, is as important as ever, indeed perhaps more so. Industry knowledge, however, is more important than it has ever been, but in an environment where radical disagreement about fairness, based on differing perspectives on opportunity and reward (of course I am talking about the e-market) is possible, inventing a new wheel often seems the only way to go, foolhardy through this may be...

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